030 – Jane Eyre!

Orson Welles! John Houseman! Aldous Huxley! Joan Fontaine! Uncredited Elizabeth Taylor! It’s a cavalcade of disparate talents as Ollie and I watch Robert Stevenson’s “Jane Eyre” from 1943! This rounds out our “Funtaine!” trilogy and ends on a bang. What have we learned? Don’t date creepy guys with secrets. Seems like a good lesson, really.


029 – Suspicion!

The Hitch is BACK, BABY! We’ve got another Hitchcock film and it brings back our favorite Joan Fontaine! In “Rebecca” Fontaine played a mousy young woman, swept away by a charming, if sinister, good looking man into a world where she began to feel like her life might be on the line. In “Suspicion” . . . that . . . that kinda happens, too.

Ollie and I pick apart the plot, characters and poor Beaky’s unusual and easily avoidable death. It’s 1941’s “Suspicion!”

028 – Sullivan’s Travels

Ollie is NOT convinced that they will like “Sullivan’s Travels” BUT . . . well, maybe they do? It’s always hard to tell with teens.

027 – Fantasia!

Image result for fantasia 1940 poster

Oh boy. We’re probably going to get dragged for this one, but we promised to be honest and, honestly, we found this one to be . . . difficult. To get through. It’s 1940’s “Fantasia!” Disney’s first big money loser! And, a favorite of people everywhere. Look, Ollie and I totally get why it’s amazing, but we also get that it’s not always well thought out. Or well paced. Or . . . interesting. I mean, just give it a listen, kay?

026 – Rebecca!

Ever feel like a nameless protagonist in your own story? Well, I bet *nameless protagonist* does! This week, Ollie and I cover our FIRST Alfred Hitchcock movie, 1940’s “Rebecca!” What’s with the creepy husband? What’s with the creepy mansion? What’s with the creepy housekeeper? Who knows?!

025 – The Hunchback of Notre Dame

Introducing the CLASSIC MOVIE MONSTER . . . discrimination. That’s right! Ollie and I are talking 1939’s adaptation of Victor Hugo’s “Notre Dame de Paris” and it’s a doozy. Like, it’s a solid film from a *film* perspective, but it’s got some uncomfortable stuff from a disability perspective. Also, a Roma perspective. It’s troubling all around, but surprisingly entertaining, all things considered.